Good – A Good Person

Scala Vienna [ENA] "Good – A Good Person" by C.P. Taylor, directed by Bruno Max, is a poignant exploration of morality, conscience, and the seductive power of authority set against the backdrop of the rise of the National Socialists in Germany in 1933. Through the lens of the protagonist, Dr. Hans Halder, a German professor grappling with moral dilemmas, delves into the complexities of human nature and the choices individuals make.

These choices are frequently made when confronted with evil. At its core, the play revolves around the internal conflict faced by Halder, portrayed with nuance and depth by the talented cast. Halder, a seemingly upright and compassionate individual, finds himself entangled in a web of moral ambiguity as he navigates the turbulent political landscape of the time. Despite his aversion to the Nazi regime, Halder is tempted by offers of advancement and status, leading him to question the very essence of his moral convictions.

The production at the Vienna Theater zum Fürchten offers a captivating portrayal of Halder's journey. Each actor skillfully navigates the complexities of their roles, capturing the internal struggles and external pressures faced by their characters with sensitivity and depth. One of the play's greatest strengths lies in its ability to provoke thought and introspection in its audience. Through Halder's plight, the audience is compelled to confront difficult questions about the nature of morality, the allure of power, and the human capacity for self-deception.

As Halder grapples with his conscience and the moral implications of his actions, the audience is forced to confront their own beliefs and values, challenging them to consider the choices they would make in similar circumstances. Bruno Max's direction masterfully captures the tension and uncertainty of the time period, creating a palpable sense of unease that permeates the production. The minimalist stage design and evocative music serve to enhance the atmosphere, transporting the audience to 1930s Germany and immersing them in Halder's world.

In conclusion, "Good – A Good Person" is a compelling and thought-provoking exploration of morality, conscience, and the human condition. Through its powerful performances, nuanced direction, and timely themes, the play leaves a lasting impression on its audience, challenging them to confront the complexities of right and wrong in a world fraught with moral ambiguity.